Perennial Nobel Prize contender Thomas Pynchon’s fourth novel, Vineland (1990), has been loosely adapted by Paul Thomas Anderson as a new film, One Battle After Another. The film is already considered an Oscar contender.
Vineland, at its core, is preoccupied with the fate of America in the age of mass media and creeping authoritarianism. Pynchon’s novel is largely set in 1984, the year President Ronald Reagan was reelected in a landslide – a time when the idealism and revolutionary impulses of the American left had withered.
That sense of defeat speaks directly to now. Anderson’s adaptation lands in a year defined by Donald Trump’s decisive 2024 election victory and a MAGA-driven backlash against diversity and inclusion, trans rights and climate action.
Anderson repurposes Pynchon for our present plight, plunging us into a familiar hellscape of immigration detention centres, white supremacist hideouts and so-called sanctuary cities. One of these cities is a central setting: engulfed in flames, thick with smoke and overrun by state-backed goons kitted out in combat gear – enforcers who seemingly answer to no one, itching to knock a semblance of sense into some “radical left” skulls.
One review of the film points out how the escalation of immigration crackdowns and expansion of ICE under Trump’s second presidency “embodies the militarisation of everyday American life” in a way...
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